I get a LOT of questions about how to navigate a writing career when you want to write for both the general market AND the Christian market. I’m teaching a live webinar for @SCBWIEastPA on June 11 at 8 PM EST on this topic! You can register here: https://epa.scbwi.org/events/writing-that-crosses-over-christian-and-secular-markets/
2020 Conferences, Workshops & Events:
- Query Letter Workshop. Hugo House. January 2020.
- Picture Book Webinar. Online. 12×12, hosted by Julie Hedlund. February 26, 2020.
- SCBWI Query Letter Workshop. Tacoma, WA. Fern Hill Library. March 28, 2020. CANCELLED.
- Mount Herman Christian Writers Conference. Mount Herman, CA. April 2020. CANCELLED.
- SCBWI Iowa “Think and Wonder” Spring Conference. West Des Moines, IA. April 2020.
- Northwest Christian Writers Renewal Conference. Bellevue, WA. May 16, 2020. CANCELLED.
- Writing That Crosses Over Christian and Secular Markets. Online. Live Webinar – June 11, 2020. 8 PM EST.
- Detroit Writing Room Panel – August 13. Online.
- SCBWI Illinois “WOW: Words on the Web.” Online. August 14-16, 2020.
- SCBWI Summer Spectacular. Critique Team. Online. August 2020.
- SCBWI Florida. Online. August 2020.
- Arizona Writing Workshop. Phoenix, AZ. November 2020.
I’m really excited to be opening up to adult fiction submissions, as of February 2020. Here’s some insight into what I’ll be looking for:
- Thrillers—I love gritty, juicy thrillers, and want to work with people who want to build their careers around writing thrillers. I love Gillian Flynn, Jessica Knoll, Lisa Jewell. I’m excited to see what Samantha Downing and Wendy Heard write next. Some of my favorites include Luckiest Girl Alive, Sharp Objects Then She Was Gone, My Lovely Wife, Hunting Annabelle, and The Girl on the Train.
- Women’s Fiction—If you dream of Reese Witherspoon or Oprah ushering you into her book club, then I want to see your work! I love interesting voices/POVs, dual timelines with a historical feel, rhythmic language, generational sagas. Some of my favorites include Eleanor Oliphant is Completely Fine, The Dollhouse, Room, The Girls, The Mothers, Little Fires Everywhere, Fates and Furies.
- Romantic Comedies—I’d love to work on “frothy beach reads” that have both humor and heart. I love a strong voice + unique perspective. I need a commercial hook here. Some of my recent favorites include The Unhoneymooners, Waiting for Tom Hanks, Maybe in Another Life, Playing with Matches, and The Rosie Project.
- Graphic Novels—I’d love to find some interesting contemporary graphic novels for adults. I’d be interested in nonfiction, or humor, or romance. Epic fantasy or space operas likely won’t be the best fit for me, but I’m open to taking a look at a wide range in this space.
I’m really excited to be doing a live webinar about all things picture books for 12×12—an online empire built by Julie Hedlund, who is the Patron Saint of Helping Aspiring Picture Book Writers.
So I was very flattered when Julie reached out to me asking if I would be interested in doing this webinar.
Here are the details: the webinar will take place live on Feb. 26 at 10 AM PST, and I believe will be available for a time period after that as well. In order to access the webinar, you need to be a 12×12 member. You can become a member here: http://bit.ly/2RRcqcx
12×12 is an incredible resource no matter where you are at on your publishing/querying journey. Whenever first time writers come to me asking for advice, I point them toward 12×12, and SCBWI.
We will be talking about what makes a strong submission, what I look for in a picture book, current market trends, and what I hope to see pop up in my inbox in 2020. I’m really looking forward to it!
Aren’t our nieces so darling? We always look forward to getting to spend time with them when their parents have a date night.
I’ve read books to them before, but in the past I’ve tended to pick books based on what *I* wanted to read, rather than taking account of their current interests and picking a book based off of that. As a literary agent AND an auntie, I always want to encourage the love of reading. I knew that my older niece, Meira, is going through a potty humor phase (she is 5, after all) so when I saw WHEN UNICORNS POOP at Barnes & Noble, I knew I needed to check it out. I thought it was funny and clever, and chock-full of potty humor so it was the perfect fit.
This picture was taken for our first read-through when they both quietly listened. Then they asked to read it again, & they giggled through it. (Meira giggled at the book and Thea followed suit to be like big sis.) Then they asked to read it again & they made sound effects. Then they asked to read it AGAIN & they had it memorized.
My nieces are young and squirmy so I’ve learned that zippy, funny books are best for them, and if there’s a dash of potty humor, all the better. I have also learned: doing funny voices and accents, encouraging them to make sound effects, asking them to point to things on the page, etc. has kept them engaged. I want books to be fun for them! How do you keep your little, squirmy ones engaged?
P.S. I didn’t represent WHEN UNICORNS POOP, but that doesn’t mean I can’t plug it! You can buy it here, or at your local bookstore. I’ve seen it at most Barnes & Noble locations, too.
Let’s talk about the first paragraph of a query letter! In my mind this is the most important part to get right, and I want to share some thoughts on how to make it strong.
I look for the first paragraph of a query letter to include a birdseye view of the project—AKA the basic stats: title + reader category + genre + word count), as well as a quick logline. This grounds the agent in the project + shows that you know your stuff.
This looks like:
BIPPITY BOPPITY BOOP is a YA Romance at 80,000 words in which a young magician enters a televised magic competition only to find out that the competition is rigged to make the producer’s son win—and even worse, she’s falling in love with him.
The first paragraph is also the right place to mention any specifics on why you’re querying the agent in question—you were referred by one of their clients, you saw something specific on their MSWL, etc. Keep it professional though! Don’t be like, “I saw on your Instagram that 65 weeks ago you went to Ice Cream Social. I too love that place!” This doesn’t feel professional to me.
Now let’s talk more about what you ~shouldn’t~ do in the first paragraph. A common mistake I see is when writers use this precious real estate to list the themes or issues explored in their project. This feels vague and fluffy to me.
This looks like: “My novel is about love and fear and forgiveness and mental health issues and my protagonist overcomes many obstacles to accomplish her goal.” This doesn’t give me any sense for what actually happens in your book!
Other common querying mistakes: bashing other books in the same age group/genre as yours, word count too high/low, not including the basics, and when it doesn’t feel like a professional email.
Some of you have heard this similar advice dozens of times before, but we repeat it so often because so many writers forget to include the basics! They are crucial!
This has been First Paragraph of a Query Letter 101 with Adria Goetz. Remember to list your basics and nail down a succinct logline and you’ll be golden! Go get ‘em! You’ve got this!
“I will buy one book.”
*walks into Books Are Magic bookstore in Brooklyn*
Me: “I will buy five books.”
Family members: avert your eyes.
Everyone else: feast your eyes on (most of) the books I’m giving for Christmas this year.
This is what happens when you work from home and you’re trying to give a video interview about the publishing industry but your cat needs some affection.